Throughout the late eighties/early nineties, Melbourne’s underground music scene shined with immense talent and originality, none more so than Venom P. Stinger.

Certain pundits are of the belief the slide guitar is a restrictive medium, limited as a mechanism of stereotype. Boy, are they mistaken.

Forming in 1981, Bloodloss squirted a placenta of afterbirth that led to the banning of their wild live shows in venues across Sydney. Read the sensational headlines here.

In modernity, punk rock acts have taken it upon themselves to push the acceptance of global establishment mantra, an irony crueler than the very tyranny they’re promoting.